S.T.A.L.K.E.R. Call of Pripyat Mod Thought: Misery

How does one survive in this misery?

There is something to be said about taking a difficult game and taking the challenge as far as it can without becoming cheap, unfair or hard enough to just be a bully. The Misery mod for S.T.A.L.K.E.R. Call of Pripyat comes close, and even crosses the line on some aspects. But barring a few minor tweaks, it can become one of the most immersive and daunting mods for any game that I have ever played.

My journey into the Zone started differently from the start. I first had to choose between three different classes when I installed the mod, choices being Sniper, Recon or Assaulter. I decided to go with the sniper class, as I was accustomed to sniper style tactics of taking enemies out from long range. When it loaded I was met with a completely different game than I was ready for. Unlike normal Call of Pripyat fare, where I spawn into the Zone on a clear, bright day, this time I was faced with a dark, impenetrable wall of misty fog. In my backpack, I had only a rifle, which included no scope and a mere five bullets, a pistol with only fifteen bullets, and tawdry amount of supplies. I was painfully unequipped for the Zone ahead of me, so my first objective was to find the land-locked ship where many Stalkers had called home.


Immediately apparent is that Misery incorporates the stunning AtmosFear mod, which makes significant changes to Call of Pripyat’s weather and skies. Rainstorms can range from mild showers that give the world an almost calm and serene feeling, to violent thunderstorms and pitch-black nights, upping the intense dread already in the game. On clear mornings, the sun shines light through thick mist and casts a warm glow on the new high resolution buildings. New ambient noises have been introduced as well and the sounds of far off gunshots or creatures can be heard in the distance, wrapping a player with an auditory blanket of immersion. Call of Pripyat is suddenly a beautiful game, if only in a dreary sort of way. Travelling across the landscape is no longer a chore, but a journey.

Still, it is an extremely dangerous journey. Misery tweaks gameplay heavily, including much more meticulous inventory and resource management to force a player to make some pretty tricky decisions. You can really only carry the barebone essentials, lest your energy drain at a nauseating speed. Generally it’s best to carry only one or two guns along with food rations, ammo, and medical supplies. Any extraneous equipment is best left in your personal locker. However, your energy is bound to drain no matter how hard you fight it, sooner or later. I had to sleep regularly, keep my hunger down, and heal any wounds that I had been afflicted with, or it made the game quickly go from difficult to impossible.

The mod is called Misery for a good reason. There are times playing where the game just beats you down with some incredibly misguided balance issues that all sort of feed into each other. Firstly, the fatigue happens too quickly, too unexpectedly and affects far too much. There are three movement speeds in Call of Pripyat; normal speed, sprinting and walking. At normal speed, if you’ve had enough sleep, food and you’re inventory is not too heavy, energy drains very minimally. While sprinting it drains a little faster, obviously. If you are hungry or tired, energy drain so rapidly that a few steps could force you to stop and wait for the gauge to refill. Take another few steps and wait again. This happens a lot.

The immediate response would be to just eat more food. Sounds easy enough if food was not so scarce, or if eating it actually took hunger away. Forget paying rubles for food because the economy is a farce. One loaf of bread costs 300 rubles, which is not much especially in the beginning of the game, and barely satiates hunger. If you wanted to get enough to fill you up, you wouldn’t have any money left. I’m all for realism, and I believe there are some great ideas here, but they seem so disproportional to any sort of common sense. The beginning of the game states that you play as a military agent, and I find it hard to believe that someone trained in the military succumbs so easily to these trivial mechanics.

With the unfortunate items accounted for, Misery still takes a step in the right direction. The above complaints are easily fixable with a couple number changes in a game file, which I happily tweaked. This is a mod after all, so fixing minor issues like these seems par for the course. After that was settled, I was able to enjoy a breath of fresh, radiated air and lose myself into the Zone once again. There are enough positive changes here, that it is worth the effort to fix the negative ones.

Enemies in Misery are of no laughing matter. They are tougher, smarter and don’t hold back. The world is still a living thing in S.T.A.L.K.E.R. The world has no immediate interest in your life, but will lash out if you mess with it. Hazards are everywhere and with Misery they can become much deadlier. Zombies can only be killed with a headshot or two, though, they are unfortunately crack shots as well, able to snipe you from across a field with only a few shots. Anomalies are not as obvious and will pick you up and kill without a moment’s hesitation, as you search deep for their valuable artifacts. Creatures roam the countryside and will attack if they feel threatened. Mutants hide out in strange radiated caverns and buildings waiting for unsuspecting Stalkers to waltz into their territory.

The most frightening powerful force in the game are the random blow-outs and emissions that occur. They can suddenly light up the night sky while sirens blow in the distance. A player has to find good cover quickly or be blasted away into oblivion by a twisted, apocalyptic thunderstorm of doom. Misery has given these events a face-lift as well, making them look as eerie and intimidating as ever.

There are plenty of more fantastic features that culminate into what makes Misery such an immersive mod, it would be foolish to list them here. Suffice it to say, Misery is one of those experiences that you remember if you allow yourself be taken in by S.T.A.L.K.E.R.’s Zone. While it is at once beautiful and frightening, while forcing a player to think about their actions, Misery holds a special place in my heart for bringing me even deeper into such a fascinating world. Turn down the lights. Turn up the sound. Get that bottle of vodka ready. It’s time to enter the Zone, stalker.

Here is a link to the mod, to read more about it, or download it if you have Call of Pripyat, which you should anyway.

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Sequelitis Can Be A Good Disease Sometimes…

2012 is looking to be a good year in video games. There are going to be some new games coming out, there are some reboots of great games from the past, and there are going to be a lot of sequels. Though, the idea of sequels may conjure up a respectable groan, this year could be different, says my optimistic gumption. Below is a list of upcoming sequels, tie-ins, and reboots that make this year look like a refreshing proverbial blow of dust off franchises of past.

Max Payne 3

Complain about the bald head, wife-beater shirt and seemingly random tropical location all you want, this still looks like a Max Payne game. A damn good looking one to boot. Rockstar is bringing some very interesting mechanics to the plate like the stunning movement and animations of Payne himself. The way he rolls around on the ground, or interacts with anything in the environment is just fluid as hell. Bullet time and dreary grit are making their return, and it’s just great to see operatic and stylistic gunplay coming to gaming again. Also, this game looks violent. Not in the amount of blood or gore, but just the presentation. Like in Red Dead Redemption, when you shot someone in the head, there was a plume of flesh and skull. Or how a body disturbingly reacts to a gunshot. Disgusting stuff like that.

Here is a trailer for your squinty eyes.

Hitman: Absolution

There has a bit of talk on the interwebs about if IO Interactive is making this game too linear, too easy or just not what Hitman is all about. I personally chalk it up to marketing. I still hold that Hitman Absolution will still be the game the fans want it to be. There might be a machanic that allows you to see where enemies are going. All of the voice actors may be different. The developers may have been showing an emphasis on shootouts. Though, I feel like there will be enough choice, and enough openness for people to experiment and play around in a killing toybox. We’ll have to find out.

This is some pretty cool gameplay.

Bioshock Infinite

This is the game I’ve been waiting for. Before it was even announced, I’ve been waiting for it. It hits on so many of my sensibilities. I love the world, the look, the style of action, the speed, the finesse, and the general, genuine absurdity of it all. Bioshock in a new, just-as-intriguing setting is all you need to say to get me on board.

The erection-inducing 15 minute gameplay trailer.

Prey 2

This looks like a huge departure from the first Prey, that much is obvious. But the fact that this looks like an open world, Blade Runner-esque alien bounty hunter simulator with a swath of unique weapons and gadgets is something that I was not expecting. Sometimes I love surprises. Just looking at the art design in this game has got me hooked, and the gameplay look like Deus Ex in space which is nothing to scoff at. Hopefully it will be open enough for a wide variety of approaches. I want to be a suave, stealthy bounty hunter who doesn’t take no guff from alien scum.

Last years E3 trailer.

Far Cry 3

Far Cry 2 was a awkward left turn from its predecessor, but Far Cry 3 looks to be like more Far Cry 2, which is okay by me. Despite the flak the game gets, I’m a pretty big fan of Far Cry 2. I loved being able to post up on a cliff with a sniper rifle and pop dudes from across a field, then run in with an uzi and clear out the rest as a wall of fire blazes across the grass behind me. It was just fantastic immersion. If the third game can keep up the open world, interesting character relationships and sometimes unique gameplay gimmicks, but fix all of the other busted stuff, I will be more than happy. Just make Far Cry 3 a more focused game than 2 and you’re golden.

The found footage, wub-wub trailer.

Borderlands 2

I think I sank more hours than I would like to admit into Borderlands, but I will admit that I had a ton of fun doing it. Here’s hoping for a wider array of weapon possibilities, more outrageous settings, and cooler abilities, all things Borderlands 2 is shaping up to deliver. I just can’t wait to sink more hours into some solid first person RPG shootin’.

The 96.5% more wub-wub trailer.

Diablo 3

Diablo 3 looks good. That’s all I really say about the game at this point. While not remembering a whole lot about Diablo I & II, I can be certain that either way Diablo 3 looks like a solid dungeon crawler full of loots, magics, demons, monsters, swords, and maybe…just maybe a skeleton or two. But we can’t be greedy.

The “holy shit, is that fucking CGI?!” trailer.

Guild Wars 2

Another game I sank a lot of hours into was Guild Wars. I haven’t really gotten back into it in the last few years but I assume it still has a pretty thriving community. Guild Wars 2 is promising to destroy what people think MMOs are. They already proved that you can have a successful one that doesn’t require a monthly fee and for many people, that in itself is a huge selling point. Not only that, but they hope to do away with normal MMO holy trinity of damage dealers, healers, and tanks, allowing characters to be much more versatile. Well…I’m excited.

10 reasons to be excited for Guild Wars 2.

Metro: Last Light

Metro 2033 was an interesting game. It was gorgeous in a squalid, bleak way. It was an immersive and daunting game that did not hold your hand. It was a game that you could play in a multitude of ways without the player even realizing that the options were there. If Last Light can bring just as much atmosphere and unique content while fixing some of the issues from the first game (like “stealth” portions), they would have themselves something really special.

Tomb Raider

Triangle titties are things of the past. A more down-to-earth Lara Croft is making her way to the hearts and minds of young boys all over the world this year. Not only that, but the game doesn’t look half bad either. Most likely taking some cues from the Uncharted series, the game just titled ‘Tomb Raider’ (surprisingly not The Tomb Raider) is an interesting looking complete reboot of a game from a whole other era. It will be fascinating to see what Crystal Dynamics will bring with this newly updated gaming icon.

The E3 gameplay trailer full of tombs and such.

Silent Hill Downpour

Silent Hill is easily one of my favorite video game series. The atmosphere still gets to me. They’re like classic David Lynch films in video game form (except entertaining). Downpour looks like it will bring tighter 3D controls and more fluid combat, as well as crisper graphics to a series that definitely needed it. I can only hope they keep the abject horror aesthetics and intense atmosphere that Silent Hill is famous for.

The “prison must really really bad if he prefers Silent Hill” trailer.

SSX

I was a bit skeptical of this game at first, thinking that it might not be up to snuff with previous iterations like Tricky. I watched a few gameplay videos though, and I must say, SSX is still going to be crazy and fun as hell. It looks great and EA is bringing in the neat online components they tried out in Need For Speed Hot Pursuit. It should be pretty good.

GiantBomb’s awesome quick look of this game.

Torchlight 2

Alright, Torchlight is fantastic. So, take that, make four new player classes, new dungeons and loot, and add…be still my heart…online co-op. SOLD!

DOTA 2

MOBAs (Massively Online Battle Arenas) are huge right now. From Heroes of Newerth, to League of Legends to even the DOTA 2 beta, people are playing, watching and ingesting MOBA games like it’s all candy. You can’t really blame them either. They’re deep with strategy, action and teamwork. Each have their respective fan base, and I doubt many will stray away from what they know. However, with Valve making DOTA 2, I feel like they are going to make it the easiest barrier of entry for any of them. To survive though, I think they have to make the game free-to-play, like all of the others. Who knows what they will do though?

Grand Theft Auto 5

What is there to say about this other than I’m excited as hell for a new Grand Theft Auto. I don’t know if it will in fact come out this year, but either way I can’t wait.

Here’s hoping:

Mass Effect 3

Bioware and/or EA is doing something wrong, because the more I learn about this game, the more turned off by it I am. The inclusion of even more random characters who I already dislike immensely, and the heavy push for more and more Gears of War style action just flat-out worries me. I don’t hate Gears of War or anything, but I feel like Mass Effect is drifting further from what made the previous games so good. However, the online mode looks entertaining and somewhat deep, and they have brought back some more customizable skill trees, so it is all not lost yet.

Thi4f

There isn’t much information about the regrettably named Thi4f, but what is known is that Eidos-Montreal, the developers of Deus Ex: Human Revolution, is creating the game. So there is some good news. Other than that, maybe we will find out something at E3.

Counter Strike: Global Offensive

It’s like a prettied up Counter Strike that is going to cater to console players. It adds a few more weapons and equipment, but I can’t help but think this is just going to be another Condition Zero.

S.T.A.L.K.E.R. 2

Please! Please happen! Don’t die on me! Please!

Sequels don’t have to be all bad, really. There is nothing wrong with taking something that has worked, that has proven to be of worth and to freshen it up a little bit. Most of the games on this list haven’t seen a real sequel for years, even a decade. Technology and game design have improved and it’s great to see beloved franchises seemingly take a step into the right direction, and embrace change, because it could ultimately lead to improvement. So let us not despair for lack of originality, or lack of change in the industry. While some games toil in their own success and change little, others see the future and incorporate what needs to be done to move on. So go out there and play some damn games.

Cart Strife: A Look at Cart Life

The immediate idea of Cart Life by Richard Hofmeier appears simple enough. At first glance, the game looks like a simple management simulation, complete with setting prices, buying supplies and dealing with customers, and the majority of the game is just that. Take some elements from a game like Fast Food Panic, where the player must accomplish trivial tasks to get an order out, but combine that with a personal, and somewhat darker version of the Sims, wrap it up in retro aesthetics and you have a small taste of what Cart Life is about.

The free version of Cart Life includes the almost-complete game with two of the main characters. The first character arc I embarked on was that on Melanie’s. Her story is that she is a mother in the middle of a divorce. She has some cash and a little bit of time to start a small coffee stand to make revenue allowing her to hopefully get custody of her daughter, or at least get equal time with her. Already, this is some pretty heavy stuff for a foot stand simulator, and already, the player knows they are in for something totally different from normal fare.

The game works quasi-open world, allowing a player to travel to various parts the city, where they can visit shops for supplies, grab a bite to eat, or acquire new equipment. On my first playthrough with Melanie, I didn’t even set up the coffee stand for two in-game days. It was frustrating and somewhat arresting; the things I had to go through to get it up and running. I first had to go to the municipal building where I had to actually take a number and wait. Finally, I was allowed to pay the $300.00 just for the permit to sell coffee just outside. Next, I needed to purchase the physical stand from a machinery shop, which would take another day to deliver. Finally, I had to go to the store and buy supplies. All of this, while I had to juggle Melanie’s personal life with her daughter. I could see their relationship slowly growing detached as the days went on, admittedly from my complete lack of time and effort to spend time with her. Melanie had odd dreams wherein she could not even walk close to her daughter to speak to her. But then she wakes up, ready to sell coffee.

This is where Cart Life got into the actual game bits. Selling coffee is easy, once you get the routine down. You have to go through the motions very precisely, as not to cause impatience to the customer. The actions are done via the arrow keys, having a player hold one direction for a set amount of time, tap back and forth for another, then finally do a bit of easy math to calculate change. That’s it. It’s really quite simple. But then, you have to do the same process over, and over…and over some more.

I can’t say to how deliberate the monotony in Cart Life is, but it is definitely there. Unless you have other ingredients to make other items on the menu, you are doing the same thing again and again. Even when the customer wants a Mocha instead of an Americano, the only difference you have account for is in one of the steps, pour milk and cocoa into the cup, instead of water. A player’s opinion of this part of the game has to stem from how they see the game at all. If a player sees the game as purely a food cart sim, that’s no problem, and there is plenty in the game to accommodate that. However, it is easy to view this game as a story-telling medium, with simulation elements there to merely represent the grind of daily life. I haven’t tried it yet, but I am curious what would happen if I never bought a cart, or a permit, or anything. If I had just used the initial money to just buy a snack every once in a while and go to sleep at the end of the day while having done nothing the entire day, how would the game react. It’s tough to really know because [SPOILER WARNING] Melanie’s story ends exactly where I thought it was just beginning to excel or at least change dramatically. The divorce hearing was about to commence, but then the credits rolled. It suddenly made me wonder what the game was really about. What was the point of the coffee stand simulation when it all ends so suddenly? I never had the time or cash to buy upgrades, or paint the stand, or sell better items.

Maybe that’s the message though, however much of a downer it may look. In this deceptively grim version of the world, it doesn’t always work out the way you hoped. Maybe you got the cart up and running and had it make some profits for a little while, but in the end, was it enough? Will it ever be enough? I could imagine some players trying to perfect a Melanie playthrough, trying to have her come out on top, to keep her going and always getting to the same end.

But lo! There is another character in the free version of the game, and he is the rhetorical flip-side of Melanie. His name his Andrus Poder. He is a cigarette addicted immigrant, and he has come to America to sell newspapers. Andrus is also the more interesting character of the two, and his story doesn’t seem to need to force feed emotion like Melanie’s. He is a simple man with simple needs, and craves a simple life.

Andrus’s game is also a lot easier to get started. In the opening scene, he arrives on a train, immediately visits his newspaper stand, then purchases it complete with permit and contract from the local paper. Easy peazy, right? A place to live is just as conveniant at a nearby motel. The grumpy owner only requires $119.00 a week, every Monday. Simple. Well, I also have to renew the newspaper contract every Friday for $35.00. Alright, but I also can’t forget to buy cigarettes for Andrus, or else he gets a wicked cough. Then I also need to buy his cat vittles. Oh, and I can’t forget to stop by the municipal building to speak to some lady about the permit or something. I guess one can never really have a truly simple life.

Andrus not only has a better story, but his gameplay seems to fall in line with the simulation of the game a lot more. You start of with twenty newspapers everyday, that you must fold and stack through a typing mini-game. Then you just wait, talk to customers, learn names, quirks and other nonsense, and sell papers. I soon find that some people would also like coffee as well. That’s an interesting notion. I head down to the super market and see that a coffee pot is about $40. That’s disappointing as I only have maybe $80 dollars left, and I am not making a huge profit from the papers. I am going to need money for rent and the contract to even sell the papers. Coffee seems out of my reach for a while.

It goes on like this for a while. Andrus goes to sleep every night after feeding his cat, and has strange and vivid dreams about obscure things. He goes to the stand every day, after eating a meager breakfast, sells all of his newspapers, which are obscenely overpriced just to make enough money for the weekly dues. Slowly, he gets enough money for a coffee pot, and begins to sell coffee along with the papers, and the cycle continues.

Again, there is a message. The cart vendors won’t give up just because they seem down. They keep selling.

The cart life grinds on.

There is a third character in the paid, five-dollar version of the game. The bagel vendor Vinny is perhaps the oddest of the trio. His main objective is to pay the rent for an apartment he’s using for the month. I’m not sure what the rest of his story is, except that he seems to know a few townsfolk quite personally. Vinny is also addicted to coffee, even allowing him to move faster when he drinks it, and I’m pretty sure that he doesn’t actually sleep in the game, but I could be wrong. The biggest difference to the other characters his is recipe mechanic. He has a small book in his inventory full of scribbled down recipes for various bagels and spreads. The player needs supplies from the store, and in the apartment kitchen they have to combine the exact amount of ingredients, then mix or bake or boil the concoction. I haven’t played as Vinny, but I do know that he can move his cart just about anywhere and set up shop. While this is neat, I can only assume he doesn’t have a permit and will probably be immediately fined by the one cop that patrols around. Vinny seemingly is the most gameplay oriented of the three characters, and is probably best suited for a player looking for a real food cart sim.

It’s hard to say exactly what this game is though, or whether it’s trying to achieve simple, effective storytelling or is trying to be a legitimate management simulation. Why can’t it be both? The look and sounds are evocative of old school Atari or Commodore games, and while those seem upbeat and cartoony, the world is drab and devoid of color or much of a personality aside from various character quirks. The game will get inside your head one way or another, because it throws your expectations at every turn. Players looking for one thing will probably come out with a totally different experience. It plays on the dichotomy exceedingly, and does so with out remorse. Like most good games, Cart Life gives you an experience more than anything.

Also, here’s a trailer.